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1. #Highbrow a classy joint plus#
2. #Highbrow a classy joint series#
3. #Highbrow a classy joint tv#
4. #Highbrow a classy joint free#

#Highbrow a classy joint free#

Without idealism or conviction behind her “Families First”-like stances, we’re free to laugh at Selina’s flops - there’s a gleeful absurdity to her mounting gaffes. To watch such a pragmatic and unsympathetic political actor face disappointment after disappointment is quietly cathartic. She’s also irrefutably, unapologetically self-interested. She’s exasperated and irritable and all-too-good for the indignities of American politics. Selina, as a protagonist, is especially well-drawn. Its characters are smart and capable enough to believably exist in this world we know all too well they’re powerless enough to maintain their jobs and yet incompetent enough to keep the humor coming in thick.

#Highbrow a classy joint tv#

But as TV comedy, the necessary balance to strike is exceptionally precise, and “Veep” manages it again and again. On the surface, this is a craftily satirical take on our ever-worsening political dysfunction. Wright Mills’ “Power Elite.” Its methodology in doing so is deeply brilliant. Through a razor-sharp comedic lens, it exposes the gross interconnectivity one could trace back to C. It identifies idealism, and mocks it mercilessly before inhaling it, chewing it up and spitting it out. And yet, it’s the definitive expression of our moment. Playful dildo puns, “fucks” coming in a mile-a-minute, character nicknames whittled down to “Jolly Green Jizz Face” - this is not the careful deconstruction of our political system one would expect. Instead, now that money is going to fund obsolete metal giant dildos.” Let this line from Selina sum up the scenario - and perhaps “Veep,” in intent, in comedy, and in style, as a whole: “Whole cities of children were going to be saved from poverty. But wait, she needs to make cuts! But wait, Congress’ military hawks won’t allow her to make cuts where she needs to!Īs is “Veep’s” way, the dilemma cascades courtesy of Selina’s bumbling staff: Her speech ends up calling for an additional $10 million to a pointless military submarine program, while cutting the Families First spending plan altogether. Selina and her team are jumping for joy when we flash back: Mike (Matt Walsh), her frequently incompetent press secretary, has drafted an unusually strong speech, and Selina is preparing to deliver her warmly progressive “Families First” initiative. The season premiere, “Joint Session,” opens with her on the podium facing a blank teleprompter: It reads only “/.” In jumping back in time immediately after this tease, Iannucci and the “Veep” creatives play their typical game with the audience. The bill promptly dies.įlash-forward to Season 4, with Selina, now President, preparing to give her State of the Union address. She winds up pissing off the plastic industry, then big oil, and finally a key Senator whose support of the legislation would irrevocably compromise his political legitimacy. The opening arc of the show finds Selina trying to leave her mark as Vice President by pushing through a “clean jobs” bill. It paints Washington as all but destroyed by special interest politics. Take “Veep,” an actively nonpartisan political satire. (That is to say, rape jokes are definitely on the table.) Breaking Down Political ReveranceĬomedy cuts through power and authority, but the targets of these comedies are more nuanced and less rigid. “Inside Amy Schumer” injects itself into contemporary arguments over political correctness and gender equality by raising a proudly-feminist middle finger to the whole shebang. “Silicon Valley” puts a face on the new American empire builders - and that face looks like this. with a salty tongue and a bumbling ineffectuality. Surpassing the static bleakness of “House of Cards” and “Scandal,” “Veep” embodies the cynicism surrounding D.C. They are comfortably among the best that TV comedy has to offer, and they wander in that dirty-joke area that’s come to be a signature for others like “Louie” and “Broad City.” More importantly, they’re also incredibly timely. READ MORE: ‘Inside Amy Schumer’: Go Behind the Scenes of That Incredible ’12 Angry Men’ Homage

#Highbrow a classy joint series#

Armando Iannucci’s vicious political satire “ Veep,” Mike Judge’s bouncy tech comedy “ Silicon Valley,” and Amy Schumer’s defiant sketch series “ Inside Amy Schumer” are all at the top of their game. “Louie” isn’t the only half-hour series riding high at the moment, nor is it alone in blending crude jokes with dire wit.

#Highbrow a classy joint plus#

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